When we are grieving, is it a good idea or a bad idea to engage with art that takes grief to be its subject? Does this help us to cope, or does it rip out whatever stitches we have managed to sew in while we try to bear an unbearable loss?

At first glance, Westworld is just another show about robots run amok. If you look a little closer, though, you find all kinds of other philosophical questions in play, and you find them being explored with impressive seriousness and subtlety. At the level of philosophical reflection, this is golden-age television at its very best.

The Twilight Zone aired its last episode in 1964. The show's most prevalent themes distill to the following: "'you are not what you took yourself to be,' 'you are not where you thought you were,' and 'beneath the façade of mundane American society lurks a cavalcade of monsters, clones, and robots.'”

A lot of the popular culture we consume these days is produced and distributed by large studios and record companies. Should that worry us? Are doomed to mediocre music, television, and film? Or even worse: are we doomed to songs, shows, and movies that secretly serve a hegemonic propaganda machine?

热门电视剧《好地方》一开始讲述了一个名叫埃莉诺的女人在来世醒来的故事。埃莉诺知道她在“好地方”着陆了，尽管她知道她应该降落在另一个地方。埃莉诺信赖的道德哲学教授奇迪决定教她做个好人。