Film

Mourning a Lost Culture

When we are grieving, is it a good idea or a bad idea to engage with art that takes grief to be its subject? Does this help us to cope, or does it rip out whatever stitches we have managed to sew in while we try to bear an unbearable loss?

#FrancisOnFilm: The Mole Agent

The Mole Agent is a charming documentary about a private investigator hired to find out whether elder abuse is happening at a nursing home in Chile. At the heart of the film is a deception, which raises questions about trust beyond the question whether lies can ever be justified by good intentions.

#FrancisOnFilm: Crip Camp

Are you eager for quarantine to be over but apprehensive about what the future might bring? For a dose of optimism, reflections on freedom, and a very good film, check out Crip Camp: a Disability Revolution. I was lucky to see it at this year's Sundance Film Festival, where it won the Audience Award.

Sorry, Critics: Parasite is a Good Movie

For me—as for the good people at the Oscars—Parasite was far and away the best film of 2019. Critics, however, are eagerly denouncing it as a failure, a capitulation, a “conservative” film, indeed a movie full of “contempt” for the working class. What is going on?

#FrancisOnFilm: Dionysus for Docs

从来没有一部纪录片获得“哲学谈酒神奖”(Philosophy Talk D中国伊朗亚洲杯比赛直播ionysus Award)的年度最具哲学意义的电影。但纪录片经常提出复杂的哲学问题,让我们质疑自己的假设。今年的奥斯卡最佳纪录片提名也不例外。